It’s Like He Was Never Really Here: How Lynne Ramsay Externalises Inner Trauma in You Were Never Really Here
MIFF2018 Critics Campus participant Debbie Zhou considers Lynne Ramsay's breathtaking You Were Never Really Here through the lens of her previous films.
By Alex | 10 Aug 2018
Bodied: Look What You Made Joseph Kahn Do
MIFF2018 participant Sam Harris celebrates the work of Joseph Kahn through the release of his latest feature, Bodied.
Alex
09 Aug 2018
Third Wave Nicolas Cage
MIFF2018 participant Eliza Janssen braves the wild, weird world of Nicolas Cage in anticipation of the upcoming Cage-A-Thon!
Alex
09 Aug 2018
Like How I Pictured It: Fangirls and the Enduring Power of the Boyband
From the sweaty front row of the MIFF2018 Critics Campus, participant Ivana Brehas writes about Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story
Alex
09 Aug 2018
Dance in the Art Film
Inspired by Gaspar Noé’s Climax, MIFF2018 Critics Campus participant André Shannon’s video essay looks into the relationship between dance and art film
Alex
08 Aug 2018
The Killer Teen Queens of Thoroughbreds
MIFF2018 Critics Campus participant Claire White goes in for the kill in her review of Cory Finley's luscious Thoroughbreds
Alex
08 Aug 2018
What Do You Want to Hear? On the Quasi-Musical Filmography of Jia Zhangke
James Waters’ debut piece for the MIFF2018 Critics Campus is a deep dive into the work of Chinese auteur Jia Zhangke
Alex
08 Aug 2018
Other Worlds: Spirituality and the Refugee Experience
MIFF2018 Critics Campus participant Valerie Ng explores the spiritual side of the refugee experience through Gabrielle Brady’s The Island of the Hungry Ghosts and Beatriz Seigner’s Los Silencios.
Valerie Ng
07 Aug 2018
The Beauty of the Familiar: Hirokazu Kore-eda’s imitations of life
MIFF 2018 Critics Campus participant Valerie Ng takes us through the beautiful everyday moments that take centre stage in the imagery of Hirokazu Kore-eda, director of MIFF 2018 films Shoplifters and The Third Murder
Natalie
27 Jul 2018
A Sisyphean Determination: On Terry Gilliam’s struggle with The Man Who Killed Don Quixote
Faith Everard takes us through the plagued production of The Man Who Killed Don Quixote, and explores why this film is one of the most anticipated films of MIFF 2018.
Natalie
27 Jul 2018
Ode to the Tough Guy: Ryan Gosling and Masculinity
MIFF 2018 Critics Campus Participant Ivana Brehas explores what Ryan Gosling can teach us about masculinity.
Natalie
18 Jul 2018
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