Critics Campus participant Lauren Collee speaks to critic and The Sweet East screenwriter Nick Pinkerton about the film’s artistic priorities, literary inspirations and enigmatic protagonist.

Critics Campus participant Đăng Tùng Bạch speaks to Phạm Thiên Ân about the making of his Caméra d’Or–winning film and the roles played by location, sound and time in his work.

In the lead-up to the MIFF Ambassador Special Screening of The Bank, we speak to director Robert Connolly about the film’s continuing relevance and his longstanding relationship with MIFF.

We speak to John Angus Stewart and Max Coles – director and producer of the Crumpler-commissioned video series ‘Life Zone’, which will screen at MIFF 2023 – about atmosphere, ‘hunting’ moments, and capturing the mood and mystique of Japan.

In the lead-up to the theatrical release of the MIFF Premiere Fund–supported Sweet As, we speak to director Jub Clerc about authenticity, working with talented actors and listening to Country.

We speak to Critics Campus alumni Aimee Knight (2016 cohort), Conor Bateman (2015 cohort) and Claire Cao (2019 cohort) about where their professional paths have led since their participation in MIFF’s incubator program for emerging critics.

We speak to Critics Campus alumni Michael Sun (2019 cohort), Isabella Trimboli (2019 cohort) and David Heslin (2015 cohort) about where their professional paths have led since their participation in MIFF’s incubator program for emerging critics.

Coinciding with the theatrical release of the MIFF Premiere Fund–supported Of an Age, Stephen A Russell speaks to director Goran Stolevski about inspiration, casting and capturing intimacy, as seen in his masterful MIFF 70 festival opener.

We speak to Debbie Zhou and Jessica Kiang about their experiences as mentee and mentor, respectively, during MIFF 2018’s Critics Campus.

Critics Campus participant James Walsh speaks to The Home Song Stories director Tony Ayres about exposing the personal, the power of storytelling and what’s next for the screen.