The internet has become central to our way of living and social networking is a global revolution. How has the online environment altered the way we behave, relate to each other and understand the world? How has popular culture attempted to reflect, understand and challenge the impact of the online world?

This panel discussion – consisting of experts dedicated to exposing and preventing the human right abuses – continues the discussion Buoyancy begins, with a focus on providing information and strategies to call for transparency and traceability of seafood products in our supply chains.

Serge Ou's film Iron Fists and Kung Fu Kicks is the wild story of how the way of the dragon became a global phenomenon. Here talks to MIFF about the kung-fu genre's global appeal, its problematic and progressive histories, Australia's small but important place in kung-fu cinema and much more.

Making his feature debut after several short films, Accelerator Lab alumnus Rodd Rathjen combines an edge-of-your-seat, high-seas thriller with the stark reality of the modern-day slave trade in Buoyancy. He spoke with MIFF about bringing this important story to global audiences.

We sat down with MIFF Accelerator Lab alumnus John Sheedy, director of the MIFF 2017 Best Australian Short Film Mrs McCutcheon and this year's Family Gala film, the sunny and buoyant coming-of-age tale, H is for Happiness.

No Time for Quiet directors Hylton Shaw & Samantha Dinning discuss making their film with an all-female cast and crew, the benefits of music for people living with mental illness and the importance of representation.

The feature-film debut from MIFF Accelerator Lab alumus Jayden Stevens, A Family is an offbeat comedy about a lonely man who hires actors to play his parents, brother and sister. We caught up with Stevens for a chat about shooting a film in a language you don't speak and creating a showcase of the bizarre and the unfamiliar.

Following the critically acclaimed Pawno, director Paul Ireland moves from Footscray to Prahran’s commission flats for this contemporary re-interpretation of Shakespeare. MIFF caught up with Ireland to chat about adapting the Bard, casting the city of Melbourne as a character, gangster stories and love stories.

Director of the MIFF Premiere Fund-supported UNDERMINED: TALES FROM THE KIMBERLEY speaks about the unique challenges of making a film in the remote Kimberley region, and the international relevance of the tensions between first peoples and developers.

MIFF Accelerator Lab alumna Miranda Nation makes her feature directorial debut with Undertow, a Geelong-shot psychological thriller about grief and obsession set against the backdrop of local footy culture. Miranda sat down with MIFF to discuss the female experience, #MeToo, men's reactions to women's stories, and Geelong's cinematic coastline.

Undertow is a psychological thriller that combines d