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Expanding from an idea originally conceived as a manner of cinematic intervention in British television, the discipline of the one-minute film continues to bear fruit as a tree of quick wit. But even in its successful brevity, it is not just a mode for getting to a point. Like this one: a dry run, a probable sketch for another work, interrupting itself, tripping itself upwards and backwards, some films are best just for the notions they play around with.
On the Road with Emil
Ich Habe Die Angenehre Aufgabe
MIFF 1994